Final Exam Paper Essay Samples Help!

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Pastor s Report For The Laurel Church Of The Nazarene 2016

Pastor’s Report for the Laurel Church of the Nazarene—2016 We have been spending some time with the verse from Luke(9:23)†And he said to all, If any man would come after me, let him deny himself and take up his cross daily and follow me.† We have sent the last month asking the question â€Å"Are you a Fan or a follower?† What makes us a follower? What do we have to give up to be a follower? What will we exchange for our lives? Everything we have is a gift from God. We owe him everything, including our very lives. It is possible to give God our money, but not ourselves, or to give him lip-service, but not our hearts. A true disciple gives up all that he has in exchange for an unending life of joy and happiness with God. Are you ready to lose all for Jesus Christ in order to gain all with Jesus Christ? Take, Lord, and receive all my liberty, my memory, my understanding, and all my will, all that I have and possess. You have given them to me; to you, O Lord, I restore them; all things are yours, dispose of them according to your will. Give me your love and your grace, for this is enough for me. (Prayer of Ignatius of Loyola, 1491-1556) We want to be a follower of Christ. We give it all up for him since he gave it all to us. I just love that prayer—â€Å"Give me your love and grace, for this is enough for me.† We have seen great things happen this year. Here is a list of items that changed the climate here. We sold the parsonage which allowed us to put in air-conditioning, the

Woman plead with him! Essay Example For Students

Woman plead with him! Essay In general, I believe that The Crucible was a well-directed, well-casted and well- performed play, especially given the relatively short time in which it was prepared. It was very enjoyable to be a part of, however I have no personal experience of how entertaining to the audience it was. There were many good elements, but also a few weak points in it. Although I did not see Act 1 in any of the performances, as I was backstage, I saw it many times in the rehearsals anyway. I felt that the overall characterisation was effective; the characters all seemed to portray their roles successfully. For example, Ed (Hale) came across as a sympathetic character, whos desperation to save Proctor grows throughout acts 3 and 4. One example of this is the line Excellency, it is enough he confess himself. Let him sign it, let him sign it. Eds hurried manner of speaking made him sound desperate as Hale is supposed to be in the play. This defensive manner is consistent throughout acts 3 and 4, showing how Hale is determined to save Proctors life. This desperation is shown in greater intensity in the line Woman plead with him! Woman, it is pride, it is vanity. Be his helper! What profit him to bleed? Shall the dust praise him? Shall the worms declare his truth? Go to him, take his shame away! This is portrayed well, as Ed looks very desperate and pleading. Ed is just one example of the good characterisation, and in my opinion, the best. He really seemed to be in the play, not just acting it. There was generally a high standard of characterisation, Danforth (Aryan) being one of the top few. He seemed genuinely angry as he yelled some of his lines out. One that really stood out for me was Ill have no more from you Mr. Parris. He seemed very angry, and irritated by Parriss interruption. This was not simply a case of more volume, but was a good contrast in tones, which depicted Danforths fractious state very well. The third and final example of excellent characterisation is Abigail (Marianne). She represented Abigails threatening nature very well. Personally, I believe the best line to show this was Let you beware, Mr. Danforth. Think you to be so mighty that the power of Hell may not turn your wits? Beware of it She seemed very threatening and angry, due to the sharp pronunciation and emphasis. In general, most of the actors seemed to portray their characters reactions well, at events and words, not just when they had a certain part to portray in a line, although these three in particular stood out. For example, when certain words were said, there tended to be a reaction by everyone on stage, although these reactions were overdone at times, particularly towards the end. The vocal elements of the play were generally of a high standard, with a general good sense of high energy. This was not entirely consistent, however, as there were some occasions when there was a lot of good speech, with feeling and loud enough for everyone in the audience to hear. There were, nevertheless, times when there was too little energy, and the actors and actresses were too quiet for the whole audience to hear. There were two occasions like this obvious to me, most probably because I was there at the time leading them out. They were both said when the actresses were being led offstage, which could be a reason for the lack of energy. The first was when Elizabeth Proctor (Steph) said Oh, God in response to Proctor (Sam) saying Elizabeth, I have confessed it! She seemed almost to mutter it, and I believe this is because she was facing away from the audience, and it was a line showing a defeated feeling. In my opinion, she could have said it just as well louder, so that the audience could have heard it. The second is when Rebecca Nurse (Jess) says Ive had no breakfast after being thrown into Proctor. This is quiet partly because of Rebecca Nurse is supposed to be weak (but trying to hide it), and also because of it is an insignificant line, not said to the audience, so there is no real motivation to say it loudly. .u7950f4b5a3977d36f3ee583110168c80 , .u7950f4b5a3977d36f3ee583110168c80 .postImageUrl , .u7950f4b5a3977d36f3ee583110168c80 .centered-text-area { min-height: 80px; position: relative; } .u7950f4b5a3977d36f3ee583110168c80 , .u7950f4b5a3977d36f3ee583110168c80:hover , .u7950f4b5a3977d36f3ee583110168c80:visited , .u7950f4b5a3977d36f3ee583110168c80:active { border:0!important; } .u7950f4b5a3977d36f3ee583110168c80 .clearfix:after { content: ""; display: table; clear: both; } .u7950f4b5a3977d36f3ee583110168c80 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7950f4b5a3977d36f3ee583110168c80:active , .u7950f4b5a3977d36f3ee583110168c80:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7950f4b5a3977d36f3ee583110168c80 .centered-text-area { width: 100%; position: relative ; } .u7950f4b5a3977d36f3ee583110168c80 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7950f4b5a3977d36f3ee583110168c80 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7950f4b5a3977d36f3ee583110168c80 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7950f4b5a3977d36f3ee583110168c80:hover .ctaButton { background-color: #34495E!important; } .u7950f4b5a3977d36f3ee583110168c80 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7950f4b5a3977d36f3ee583110168c80 .u7950f4b5a3977d36f3ee583110168c80-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7950f4b5a3977d36f3ee583110168c80:after { content: ""; display: block; clear: both; } READ: How does HG Wells use language in the novel "The Time Machine" to teach us about his vision of the future EssayThe Friday performance was the best of the three when it came to energy, and the Oh, God line was a bit louder, however words were muddled. Two lines that I knew went wrong were: when Aryan was supposed to say Tear of pity he said Pier of titty. This, despite being only one line, was a very obvious mistake, and at the time Aryan was, understandably, quite upset. The other line was simply a wrong word, which didnt change the meaning. This was when Jess said Ive had no food instead of Ive had no breakfast. This was very trivial, however, and didnt interrupt the flow of the play. Another thing that went wrong was the girls mimicking, as Abby, Im here! was said twice, although this was not the fault of the girls copying, but Caritas fault for saying it twice. Throughout the play, in all performances, there were small areas missed out, although the audience would not have picked these up. Personally, I believe that the cut off lines, i.e. when Elizabeth I have no-, could have been improved. In this line particularly, the cut-off seemed too forced, as she did not seem as if she was going to say anything else afterwards. Also, a few of the cut-off lines in other areas were forced, which stood out when the interrupter cut in late, but the original speaker did not continue the line, so they stopped as if interrupted, and were only interrupted a few seconds after they had cut off. In my opinion, these times really shattered the illusion of a real world, and were as a large buffer to the continuity to the play.  Aside from the faults already mentioned, the vocal elements of the play were generally good, and the lines were all learnt; it wasnt the knowledge of the lines that messed up, only the way they came out.